Saturday, 12 July 2025
h 7.00 – 10.30 PM
Viagrande Studios, Viagrande (CT)
Shared evening featuring four dance works:
SULLA NOSTRA PELLE, SCIA’, HÀ-BI-TUS, and B.O.A.T.S.
Tickets €18, under 30 €12
discounts for: dance workshops participants, dance schools, partners of the projects Comizi and Linee Continue
INFO & RESERVATIONS:
giuliana.trovato@iterculture.eu | +39 3453753788
by Alessandra Ruggeri (MISANGA)
How often do we wear clothes that aren’t ours?
And how often do we place on others the garments that belong to us?
Inhabiting our body is the most intimate gift we can offer ourselves.
It’s not an immediate or natural process — it must be built, basted, and shaped, just like a piece of clothing.
How often do we wear clothes that aren’t ours?
And how often do we place on others the garments that belong to us?
Inhabiting our body is the most intimate gift we can offer ourselves.
It’s not an immediate or natural process — it must be built, basted, and shaped, just like a piece of clothing.
Artistic Direction and Choreography: Alessandra Ruggeri
Performers: Anya Pozza and Kyda Pozza
Costumes: Kyda Pozza
Credits: Equilibrio Dinamico
A creation selected for the Vetrina della giovane danza d’autore 2024 – an initiative of the Anticorpi XL Network.
Choreographer and dancer, she trained between Sicily, Rome, Brussels, and Paris. With HÀ-BI-TUS, in 2024 she was selected for FUTURO Festival in Rome and Anticorpi XL in Ravenna; she was a finalist at RIDCC in Rotterdam, at Prospettiva Danza Teatro in Padua (receiving a special mention from the audience), and at Cicbuny in Spain.
In 2025, she is touring in Italy and abroad with HÀ-BI-TUS, TRA\ME, and IN SÙLA.
Choreographer and dancer, she trained between Sicily, Rome, Brussels, and Paris. With HÀ-BI-TUS, in 2024 she was selected for FUTURO Festival in Rome and Anticorpi XL in Ravenna; she was a finalist at RIDCC in Rotterdam, at Prospettiva Danza Teatro in Padua (receiving a special mention from the audience), and at Cicbuny in Spain.
In 2025, she is touring in Italy and abroad with HÀ-BI-TUS, TRA\ME, and IN SÙLA.